Video Game Song Surpasses 100 Million Streams on Spotify

May 01,25

Summary

  • "BFG Division" from 2016's Doom hits 100 million streams on Spotify, a milestone for composer Mick Gordon.
  • Doom has established a lasting legacy in the FPS genre, and its metal-inspired soundtrack remains iconic.
  • Mick Gordon's work extends beyond Doom to other FPS franchises, such as Wolfenstein and Borderlands.

A song from the soundtrack of the 2016 Doom reboot recently achieved a remarkable milestone by surpassing 100 million streams on Spotify. The song, "BFG Division," a heavy metal track composed by Mick Gordon, is one of the standout pieces from the game's official soundtrack and plays during the intense action sequences of Doom.

The Doom series has left an indelible mark on the gaming world since the original game revolutionized first-person shooters in the 1990s. It introduced many of the genre's now-familiar tropes through its innovative level design and engaging gameplay loop. The series' enduring appeal can be attributed not only to its fast-paced action but also to its distinctive heavy metal soundtrack, which has become iconic among gamers and pop culture enthusiasts alike.

Composer Mick Gordon, who worked on the 2016 Doom reboot for Bethesda, highlighted the series' continued popularity by sharing a tweet that announced "BFG Division" had reached 100 million streams on Spotify. The celebratory post included a banner showcasing the impressive streaming numbers and was adorned with a series of emojis.

Doom 2016 Track's Streaming Numbers Prove The Series' Lasting Legacy

Gordon's contribution to Doom includes many of the game's most memorable tracks, characterized by their heavy metal style that complements the game's frenetic gameplay. He later returned to compose the music for Doom Eternal, further solidifying his reputation for creating metal-inspired music that has become a hallmark of the series.

Beyond Doom, Gordon's career as a composer has touched several other first-person shooter franchises. He has worked on titles published by Bethesda, such as Wolfenstein 2: The New Colossus, developed by id Software, and has also contributed to the soundtrack of Borderlands 3, published by Gearbox and 2K, among other projects.

Despite the acclaim for his work on the Doom series, Gordon has confirmed that he will not be returning to compose for the upcoming Doom: The Dark Ages. He cited challenges faced during the development of Doom Eternal, including corporate constraints and internal issues, which he felt compromised the quality of his work and led to his decision not to return for the sequel.

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